Less positive is the same exaggerated sexualization that hung heavy around the last game's neck. On the other, the deliberate sexualization and objectification on display serves as a jarring distraction from the creativity and design smarts elsewhere. On one side of the knife is a character action game that refines the incredible combat foundations of the original Bayonetta and avoids the lack of variety that dragged it down in the last third. It's also the kind of game that left me asking how many times and how many different ways developer Platinum could run a camera up the main character's spread legs and cleavage. It's extravagant, like the golden age of Japanese action games never ended, like that arms race just escalated on and on. Bayonetta 2 is the kind of game where you might ask, seriously, why you're not allowed to strap a massive multi-bladed scythe to your high heels.
Developer Platinum Games has once again gone for broke, creating an action game of spectacle so big that it's occasionally incomprehensible.
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